Esth 1:6

“white, fine cotton, and blue He spread out various types of colored garments for them for spreads. embroidered with cords of linen and purple embroidered with threads of linen and purple; he spread these out for them on rods of silver and on columns of marble. couches of gold and silver he set [them] up to sit upon for the feast. on a pavement of floors of green and white, etc. Our Sages identified them as kinds of precious stones, and according to the apparent meaning of the verse, these were their names.”

“Where were white, green, and blue hangings,.... Or curtains of fine linen, as the Targum, which were of these several colours; the first letter of the word for "white" is larger than usual, to denote the exceeding whiteness of them. The next word is "carpas", which Ben Melech observes is a dyed colour, said to be green. Pausanias (q) makes mention of Carpasian linen, and which may be here meant; the last word used signifies blue, sky coloured, or hyacinth: fastened with cords of fine linen and purple to silver rings, and pillars of marble; these pillars are said, in the Targum, to be of divers colours, red, green, and shining yellow and white, on which the silver rings were fixed, and into them were put linen strings of purple colour, which fastened the hangings to them, and so made an enclosure, within which the guests sat at the feast: the beds were of gold and silver; the couches on which they sat, or rather reclined at eating, as was the manner of the eastern nations; these, according to the Targum, were of lambs' wool, the finest, and the softest, and the posts of them were of gold, and their feet of silver. Such luxury obtained among the Romans in later times (r): these were placed in a pavement of red, and blue, and white, and black, marble; which, according to some, are the porphyrite, Parian, alabaster, and marble of various colours; the marble of the Persians is of four colours, white, black, red and black, and white and black (s); but others take them to be precious stones, as Jarchi and Aben Ezra; the first is by the Targum interpreted crystal, by others the emerald, one of which Theophrastus (t) speaks of as four cubits long, and three broad, which might be laid in a pavement; the third is, by Bochart (u), supposed to be the pearl; and in the Talmud (w) it is said to be of such a nature, that if placed in the middle of a dining room, will give light in it as at noonday, which seems to be what is called lychnites; to which Lucian (x) ascribes a like property: nor need all this seem strange, since great was the luxury of the eastern nations. Philostratus (y) speaks of a temple in India paved with pearls, and which he says all the Barbarians use in their temples; particularly it is said (z), that the roofs of the palaces of Shushan and Ecbatana, the palaces of the kings of Persia, shone with gold and silver, ivory, and amber; no wonder then that their pavements were of very valuable and precious stones: and from hence it appears, that the "lithostrata", the word here used by the Septuagint, or tesserated pavements, were in use four hundred years before the times of Sylla, where the beginning of them is placed by Pliny (a); there was a "lithostraton" in the second temple at Jerusalem, by us rendered the pavement, Joh 19:13, perhaps the same with the room Gazith, so called from its being laid with hewn stone. Aristeas (b), who lived in the times of Ptolemy Philadelphus, testifies that the whole floor of the temple was a "lithostraton", or was paved with stone: it is most likely therefore that these had their original in the eastern country, and not in Greece, as Pliny (c) supposed. (q) Attica, sive, l. 1. p. 48. (r) Plin. Nat. Hist. l. 33. c. 11. Sueton. Vit. Caesar. c. 49. (s) Universal History, vol. 5. p. 87. (t) Apud Plin. l. 37. c. 5. (u) Hierozoic. par. 2. l. 5. c. 8. (w) T. Bab. Megillah, fol. 12. 1. (x) De Dea Syria. (y) Vit. Apollon. l. 2. c. 11. (z) Aristot. de Mundo, c. 6. Apuleius de Mundo. (a) Nat. Hist. l. 36. c. 25. (b) De 70 Interpret. p. 32. (c) Ut supra. (Nat. Hist. l. 36. c. 25.)”

“White, green, and blue hangings - It was customary, on such occasions, not only to hang the place about with elegant curtains of the above colors, as Dr. Shaw and others have remarked, but also to have a canopy of rich stuffs suspended on cords from side to side of the place in which they feasted. And such courts were ordinarily paved with different coloured marbles, or with tiles painted, as above specified. And this was the origin of the Musive or Mosaic work, well known among the Asiatics, and borrowed from them by the Greeks and the Romans. The beds of gold and silver mentioned here were the couches covered with gold and silver cloth, on which the guests reclined.”

“Were. Protestants, “ where were, ” white, green, and blue hangings. — Ivory. Hebrew, “silver.” (Haydock) — Beds, to lie down on at table; though sitting was formerly the fashion, Genesis xliii. 33. The other custom prevailed among the more luxurious nations, and was observed in our Saviour’s time, each person reclining upon his left arm, and having his feet behind the next. (Tirinus) — These beds were made very low, in Persia; so that Alexander had one put under his feet, when he sat on the throne of Darius, as he was not so tall. (Curtius v. 7.) — Their magnificence was surprising. (Herodotus ix. 81.) (Calmet) — Variety, in Mosaic work. (Tirinus) — They lay upon sheep skins. (Chaldean) Septuagint, “and the beds (or coverlets) were transparent, with various flowers, and full-blown roses, all round.” (Haydock)”

“Where were white, green, and blue hangings, &c.--The fashion, in the houses of the great, on festive occasions, was to decorate the chambers from the middle of the wall downward with damask or velvet hangings of variegated colors suspended on hooks, or taken down at pleasure. the beds were of gold and silver--that is, the couches on which, according to Oriental fashion, the guests reclined, and which were either formed entirely of gold and silver or inlaid with ornaments of those costly metals, stood on an elevated floor of parti-colored marble.”